2. On the Road, Jack Kerouac
3. High Fidelity, Nick Hornby
4. Kafka on the Shore, Haruki Murakami
5. Sideways, Rex Pickett
6. The Shipping News, Annie Proulx
7. Le Morte D'Arthur, Sir Thomas Malory
8. Trainspotting, Irvine Welsh
9. The Sonnets, William Shakespeare
10. To The Lighthouse, Virginia Woolf
11. The Great Gatsby, F. Scott Fitzgerald
12. A Thousand Years of Good Prayers, Yiyun Li
13. interpreter of maladies, Jhumpa Lahiri
14. The Neverending Story, Michael Ende
15. Mrs. Dalloway, Virginia Woolf
16. Norwegian Wood, Haruki Murakami
17. Blink, Malcolm Gladwell
18. The Lexus and the Olive Tree, Thomas Friedman
19. The Tipping Point, Malcolm Gladwell
20. the namesake, Jhumpa Lahiri
21. Never Let Me Go, Kazuo Ishiguro
22. seven types of ambiguity, Eliot Perlman
23. Unhooked Generation, Jillian Straus
24. Confessions of an Economic Hit Man, John Perkins
How's this for a chilling passage (granted, I'm certain that it's written this way specifically, given that this book is relatively recent):
The premise of U.S. foreign policy was that Suharto would serve Washington in a manner similar to the shah of Iran. The United States also hoped the nation would serve as a model for other countries in the region. Washington based part of its strategy on the assumption that gains made in Indonesia might have positive repercussions throughout the Islamic World, particularly in the explosive Middle East. And if that were not incentive enough, Indonesia had oil.
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